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Northanger Abbey, Jane Austen. Still fun, still funny, still feels a bit anticlimactic at the end. Some of that is the pacing -- it's also interesting to see where my memory of the book has been overwritten by the 2007 TV adaptation. Read more... ) Also somewhat charmed but not convinced by Catherine's being reassured by Henry that "murders and Gothic stuff might happen in other parts of the world, but certainly not in the middle of England!" Generally feeling confirmed in my theory that at its core Fire and Hemlock is riffing on Northanger Abbey, in particular with subverting the "nothing terrible could happen in the middle of England!".

Goodbye, Eastern Europe: An Intimate History of a Divided Land, by Jacob Mikanowski. Recommended by [personal profile] skygiants And now we move to the parts of the world where Gothic stuff stereotypically might happen -- although Mikanowski wants to let us know that originally, vampires just wanted to get on with everyday life (or un-life -- I was reminded of The House of Aunts). I wish I'd had this when I was studying for AP Euro -- it's a good historical overview of a large region, with fun anecdotes. Only about halfway through, we'll see how the rest is.
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I was skimming an article on the gothic novels referenced in Northanger Abbey, which mentions the reading list that Isabella gives Catherine for their book club: “I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.”

...and suddently I went, what other book have I read which includes lists of books recommended to the protagonist by a friend? And is also about a young woman coming of age and learning to distinguish between truth and sentimental drivel, with some guidance from an older man who has been living under the shadow of an abusive family?

Which is to say, Fire and Hemlock is totally riffing on Northanger Abbey! Only it's genre, so instead of Catherine learning to outgrow her adolescent fantasies, Polly gets to learn how to let fantasy and reality coexist, to see No Where and Now Here at the same time, and that allows her to be more actively heroic in the final act.

(Note also the first sentence of Northanger Abbey: "No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine.", though as Polly notes being a heroine is culturally not the same thing.)

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Alison

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